Mysteries (theatrical plays): First Broadway or Off-Broadway play to win a Nero Award for a...
...mystery play with a genius detective as its protagonist. The genius detective doesn't need to have a sidekick and, as long as they get the appropriate permissions, can use an already-established literary genius detective as its protagonist. The play (Broadway or Off-Broadway) must have an intermission break before the last act, wherein "the great reveal" is done. No new facts, clues, or red herrings can be presented in the last act. [This is to give the theater audience a chance to figure out for themselves who did it, how, where, and why and to discuss this with other theater goers.] During this intermission, theater goers must have an opportunity to cast their vote for who they think is the guilty party. The theater staff must count these votes and display their numbers in the lobby so theater goers can see how they, as a group, were as detectives as they leave the theater after the play is over.
Future Challenges:
1) First play to make the nominee finalist list for the Nero Award for "Best Genius Detective (Off-)Broadway Play" and make the nominee finalist list for the Tony Award for "Best Play."
2) First play to win the Nero Award for "Best Genius Detective (Off-)Broadway Play" and win the Tony Award for "Best Play."
3) Third annual Nero Award for "Best Genius Detective Mystery (Off-)Broadway Play." To win this future challenge, there must have been at least seven qualifying plays in each of the three years.
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